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Theme
- According to Edward H. Davidson in his book Poe: A Critical Study, "The
Fall of the House of Usher" can be interpreted as "a
detailed account of the derangement and dissipation of an individual's
personality." The house itself becomes the "symbolic
embodiment of this individual." The fissure or the crack in the
decaying mansion, that is noted by the narrator near the beginning of the
story, represents "an irreconcilable fracture in the individual's
personality." Roderick represents the mind or the intellect, while
the portion of personality that we refer to as the senses (hearing, seeing,
touching, tasting and smelling) is represented by Madeline. During the
course of the story, the intellect (Roderick) tries to detach itself from
its more physically oriented twin (Madeline). This can be seen in Roderick's
aversion to his own senses as well as by his premature entombment of his
twin sister. Living without Madeline (that is without the senses),
Roderick's condition deteriorates. He begins to suffer from an
"...intolerable agitation of the soul." At the end of the story,
Madeline returns from her premature tomb to claim the maddened Roderick,
" a victim to the terrors he had anticipated." As the two are
reunited in death (the mind can neither live nor die without its physical
counterpart, the senses), the house ( a symbol of a now deranged individual)
crumbles into the "deep and dank tarn," as the narrator flees in
terror for his own sanity.
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